Copy
CAPERNAUM - Tuesday 18th February 7.30pm at St Mary's
View this email in your browser
Capernaum
Lebanon
2018
126 mins
Director Nadine Labaki
Starring Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole
Cert 15
Subtitled

Review
Since its premiere at Cannes last May, this heart-wrenching movie from Lebanese director Nadine Labaki has won prizes and golden opinions and is a nominee for best foreign language film at this weekend’s Oscars. It is the story of a Beirut street kid who has run away from his unhappy, abusive home. He is befriended by an Ethiopian woman working as a cleaner without legal papers and gets to stay with her in return for minding her baby while she is out at work. But when she is picked up by police, he has to head off back to the streets, taking the baby with him – and is confronted by some terrible choices.

I was agnostic about this movie when I first saw it, and some of those doubts are still there on a second viewing. There is a bit of button-pushing melodrama going on and the film is flawed by Labaki’s opening premise, which is silly, pointless and unconvincing. From the jail where he’s ended up, the kid supposedly sues his parents for giving birth to him. This has evidently been funded as a stunt by a TV current affairs show to draw attention to child poverty, but it is an outrageous stretch to believe it would be entertained for one moment by the legal system. And that’s setting aside the implausibility of this kid being allowed to make a lengthy (and free) telephone call to the TV station from prison in the first place.

But the power and emotional force of the film mean you just have to set this flaw to one side. There’s no doubt about it: the extended, improvised scenes of the boy and the baby on the streets are wonderfully performed and directed. Labaki even creates some sense memories of Chaplin’s The Kid and De Sica’s Bicycle Thieves. There is passion and compassion here, and Labaki’s film brings home what poverty and desperation mean, and conversely what love and humanity mean.

The title means “Chaos” and also alludes to the town on the Sea of Galilee where Jesus was supposed to have taught in the synagogue and healed the sick. The parallel between Jesus’s precocity and that of this film’s young hero is certainly ironic. The boy is Zain (Zain Al Rafeea) who is infuriated by the grotesque indignity and cruelty to which his parents have submitted as a result of their poverty – and which he has to endure as well. They are making money smuggling opioid drugs into prison (where his elder brother is a convict). To Zain’s horror, his careworn mum Souad (Kawsar Al Haddad) and dad Selim (Fadi Yousef) are getting ready to take money from their exploitative landlord in return for handing over Zain’s 11-year-old sister Sahar (Cedra Izzam) to this man’s son as a child bride. In a rage, Zain runs away and encounters kindly Rahil (Yordanos Shiferaw) and her baby son Yonas (Boluwatife Treasure Bankole). He also encounters the sinister businessman and entrepreneur Aspro (Alaa Chouchnieh).

What is so refreshing about Al Rafeea’s performance is that his kid is not a passive, simpering martyr. His Zain is furious, sweary and violent. He is always angrily shoving and punching and defiantly insulting people, especially his parents.

Another sort of film would imply that his anger is a character flaw that has been movingly cured by his redemptive experience looking after baby Yonas. Rather magnificently, the film insists on the opposite. Looking after Yonas has only made Zain angrier, more intimately acquainted with poverty and injustice, more aware of the awful choices into which anyone can be forced by cold and hunger.

Capernaum is itself an angrier, tougher and funnier film than anything Labaki has made before, and the images of Yonas adrift with Zain in the pitiless streets are deeply affecting: visions of innocence and fragility and yet a transcendental sort of survival. Cynical Aspro calls the baby “a badass – like his mother”, and you can see how this heartless person finds it convenient to pretend everyone else is heartless as well. And yet there is something in what he is saying. Perhaps Yonas does look like a badass – a badass in embryo, anyway.

In the end, who and what are Zain and Yonas? Or Rahil? Or Souad and Selim? They must each answer a question put to Zain: where are your papers? “I need proof you’re a human being.” Statelessness, illegality: these are not just technical points. They are the bureaucratic mechanisms, powered by money, by which your humanity is affirmed or withheld. Capernaum is not a cry from the heart – but an angry shout.

Peter Bradshaw, The Guardian

Social Night


Thanks to everyone who came along to our Social Night last weekend. We hope you had a good night.


Welcome to The 2020 Chester International Film Festival, our 34th!

We are delighted to offer a contemporary collection of the best in world cinema, in the comfortable and friendly atmosphere of Chester Storyhouse. From the Cold War drama Balloon to the controversial coming of age feature And Then We Danced, our exciting programme is designed to encourage discussion, with noted speakers introducing each film.

OPENING NIGHT!
Friday 6th March – The Farewell
Golden Globe-winning comedy-drama
The Farewell launches the festival in style, followed by a drinks reception – your ticket stub includes a free drink.

After it’s outstanding launch in 2014, we will again be hosting the 7th Chester Animation Festival  in a special stand alone event.  We will show the best in international animations following a call for submissions.

SPECIAL OFFER: Enter the promotion code CHESTERFS when booking online or at a kiosk, or quote “Chester Film Society” when booking in person at Storyhouse, and your ticket price will be £5 only!

Where to buy tickets:

storyhouse.com The easiest way to book.


Your Film Society Needs You

Our next season will be our Fiftieth! We hope to bring you a full programme but we are struggling to cope with such a small active committee. We need people to get involved with things like film licencing, venue liaison, design and publicity, front of house, and setting up and closing down each night.. If you have an eye for detail, and are committed to the future success of Chester Film Society, please make yourself known! Just speak to us or email via the website.

Many thanks to all of you have have volunteered so far, it is much appreciated.

Thanks, Mike
Copyright © 2020 Chester Film Society, All rights reserved.


Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list

Email Marketing Powered by Mailchimp