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Hi <<First Name>> <<Last Name>>

It’s been more than two years (not since pre-Covid days) since I’ve sent out one of these emails about my artwork and other goings-on.

I’m restarting, and experimenting with this new format - a longer email which I’ll send out once a month.

As always you can unsubscribe at any time if this doesn’t suit you, or if you’ve forgotten why you signed up in the first place.

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New Artwork?

Well, there’s not been a huge amount of new artwork recently. These dry spells happen sometimes, and frustrating as they are they generally don’t last more than a few weeks.

This one’s lasted months.

However I think I’m finally coming out the other side, having got some life-drawing done this past weekend.

Lfe-drawing from this past weekend

Graphite pencil on Fabriano recycled A3 paper

Myth & Masks reviewed

There’s an interesting review of Myth & Masks (my first book of artwork covering artwork - mainly photography - produced between 2013 and 2015) over on Rowan Fortune’s blog:

“Drawing a parallel between the burgeoning of new ideas in the current period and that of the aftermath of the English Civil War, Paul Watson in his art book (photography and drawings) Myth and Masks writes of ‘a similar mode of radicalism and revaluing at the moment,’ as being one now engaged in ‘talking about landscape, rewilding, psychogeography, archaeology, myth, and hauntology, as well as politics and government.’ (100) It is into this context, as well as the ‘broad church of related interests’ (120) dubbed the English eerie, in which he places his art and blog essays.”

What I find particularly interesting about this review is that it addresses the work from a political perspective, rather than the far more typical perspective of folklore, mythology, or folk-horror.

…and of course there’s also my 2018 book of drawings England’s Dark Dreaming

May Day

May Day has just been and gone once more, and so here’s a video I took on May Day morning in 2018 on top of Chanctonbury Ring here in the Sussex South Downs.

It starts off with the traditional Morris Dancers (the Chanctonbury Ring Morris Men), and is followed by an event put together by Justin Hopper (author of The Old Weird Albion) featuring Adam Ranger, Angus Carlyle, and concluding with Justin Hopper and Sharron Kraus performing a proto-version of their album Chanctonbury Rings (later released on Ghostbox Records).

Justin initially asked me along to contribute some artwork to the morning’s festivities, but I couldn’t think of anything appropriate, so I offered to document it on video instead - and I’m very glad I did!

May Day Morning, 2018 - Chanctonbury Ring, Sussex
Being a brief discourse on the occult thinking of the 17th Century Digger and revolutionary Gerrard Winstanley, and the parallels with the writings of Mark Fisher, via Ursula K Le Guin and diverse others

As well as restarting my artwork after a winter of discontent, I have also managed to start blogging again, and Is it easier to end capitalism than to imagine the end of capitalism? is the first offering.

There will be more art-related posts as soon as I get my arse in gear and make some.

Rituals & Declarations

The final issue of Rituals & Declarations has just been published, bringing this series of eight zines to an end.

You can grab a copy via the link below, or view all available issues (the last four are still in print) in my online shop.

That’s all for the month of May in this new-style email newsletter.

If Twitter is taken over by an even more obnoxious billionaire than the ones who run it at the moment then we always have decentralised Emails and RSS feeds to fall back on.

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