Copy
View this email in your browser

Lead, kindly light...


Welcome new subscribers and to our regulars, our old friends, thanks for sticking with us. This week I'm celebrating acts of kindness and beginning the newsletter with a shout out to my new favourite books podcast, The Bookcast Club. Host Sarah K., in particular, who doesn't know me from Adam, did something for me so kind and generous I still can't quite believe it happened. I urge you to have a listen to any of their shows – there are four presenters and between them they cover an enjoyably wide range of books. Kindness is the thread that runs through the book that has been keeping me company this week, Leonard and Hungry Paul by Rónán Hession. The entire city of Dublin have been reading it en masse as a book club these past few weeks ahead of the announcement of the winner of the Dublin Literary Award this Wednesday – a prize that regular listeners to the pod will know is particularly dear to my heart. Dublin City Librarian, Mairead Owens, describes Leonard and Hungry Paul as an uplifting and positive 'treasure [that] will hopefully encourage many more readers to seek refuge and sustenance from reading.”
It seems generally to have met with universal appreciation, but did I love it? Readers, I have some thoughts...
Leonard and Hungry Paul by Rónán Hession

Leonard and Hungry Paul are two friends in their thirties who have many things in common, one of which is that they both still live with their parents. Or at least Leonard did, his mother dies at the start of the book (his father died when he was a baby). Orphaned, and missing her, he takes refuge in family life at his friend Hungry Paul’s house. If you’re wondering why Paul is called Hungry Paul you’ll have to wonder on because I don’t think it’s ever explained. He doesn’t seem to eat any more or less than the average person. I wouldn't care except it’s in the title and Leonard and Hungry Paul is a far more interesting sounding book, to my mind, than Leonard and Paul, which is effectively the book you get.

 

Hungry Paul’s family consists of his mum and dad, Helen and Peter, and sister Grace, who is the go-getter of the story in that she has a job and a fiancée and a life of her own. Hungry Paul’s parents are retired, although his mum still works a couple of days a week, and spends the rest of the time looking after her family, feeding the birds, and volunteering to visit elderly patients at the local hospital. They have aspirations to go on holiday without Hungry Paul, but not a cruise, '"I'd prefer not to go on any snooze cruises or anything too sedentary."' says Peter. I don’t want to give you the impression that they’re keen to get away from Hungry Paul, though, because on the contrary they like having him around. He’s good company, useful for games that work better with more than two people like Scrabble and he helps feed the birds. 'In truth, he never left home because his family was a happy one, and maybe it's rare than it ought to be that a person appreciates such things' Hession writes.

 

I loved one online reviewer who said despairingly ‘I have been so focused on the idea that character is what matters in a novel, that I have been underestimating the importance of plot.’ Things happen, of course. In fact it’s a book packed with incident. Leonard’s mother dies. Grace gets married. Leonard meets a woman he is attracted to, Shelley, and slightly to his surprise on learning she likes him back, starts a relationship. Paul enters a competition run by the local chamber of commerce. His parents think about planning a holiday. But it's true this is a novel that avoids the conventional ideas about narrative tension, rupture and repair. You can read more about Hession's thinking on the subject of writing a narratively quiet novel here.


Ok. I'll come out with it. I had a few issues with this novel. The characters felt very thin, to me, charming though they were. They don't have much in the way of inner lives existing primarily as vehicles for the author's ideas. Another problem for me is that the novel unfolds in what feels like real time. So characters don’t really change or grow because in life these things take time. I’m not the same person now I was in my twenties, but it has taken twenty years for me to develop into the person I am today. If Rónán Hession had, like Proust, written seven volumes I think we might have got somewhere but as it was I kept waiting in vain for these people to have some moment of insight, for life to throw something at them that couldn’t just be shrugged off with a cup of tea and a biscuit. Yashwina Canter writing in The Believer magazine was charmed by the experience of reading a book where she didn’t have to worry about 'what-will-happen-next apprehension-fatigue' but for me, I find, writing needs to have some tension otherwise why do I care?

Another issue for me was the dialogue. I was able to lose myself quite happily in the description and reflective passages, indeed enjoyed these parts of the book very much, but as soon as characters started speaking to one another it fell apart. There was something stilted and unrealistic about it that disrupted the careful portraits the author had been building up. It's almost as if the realism with which he created their world was so successful, the clunky dialogue seemed all the more jarring. Peter comes into the kitchen one morning and asks Helen how she slept. '"Fine, thanks love. Are you a bit congested? You were a little snorey last night", said Helen. "It's spring. Hay fever is probably on its way. Any sign of our son and heir? If he's sleeping in I'll go ahead and make the porridge for the two of us."' And so it goes on.

That said, there’s lots that I liked about this book. It’s full of observation of everyday details and interactions that feel comforting, so deeply do you recognise and understand them. There isn’t an unlikeable character in the whole book, except possibly the academic who puts his names to the children’s encyclopaedias Leonard writes, and even his vainglorious attitude is defused by Leonard's peaceable acceptance of it.

Reading this book felt like Sunday afternoon at my parents’ house, with all the ease and familiarity that implies. It’s a book that never steps outside of its comfort zone and doesn’t ask you to as a reader. Instead it celebrates that comfort zone and the baseline observation that most people in affluent countries who basically have everything they could ever need or want in life behave kindly towards one another. I found the passivity of it slightly maddening, and yet, I can't deny the writing is original and full of quirky charm. I was pleased to have read this book and though I didn't love it, I think it would be excellent for book club – I'm dying for someone to pick me up on it and convince me of its merits. And while the characters are fading and the plot such as it was has already melted away (I finished it three days ago and genuinely now cannot remember what happened at the end) what has lingered with me is a new appreciation of small, everyday acts of kindness and the idea that the more we practise them, the better we become. Hession has a new book out this month, Panenka, and I'm more than a little curious to read it.

Buy Leonard and Hungry Paul from Bookshop.org

Further reading: If relentless news stories lead you to despair Rutger Bregman's Humankind will cheer you up. He deconstructs the negative picture the media tends to paint of humanity and the book is full of enjoyably surprising research showing that in extremis humans actually tend to behave with kindness, tolerance and mutual respect. Leonard and Hungry Paul also made me think of Rob Temple's Born to be Mild, another celebration of ordinariness in all its forms as the author tries to overcome his anxiety issues by setting himself a series of everyday challenges. While I appreciated the gentle humour of Leonard and Hungry Paul, Rob Temple is a comic genius and this book frequently had me laughing out loud. Also, there was something about Leonard that reminded me strongly of Arthur Dent and so I throw in The Hitchhiker's Guide to the Galaxy. If they were to learn the Earth was about to be demolished to make way for a new hyperspace by-pass I would expect Leonard and Hungry Paul to take the news calmly, perhaps working out whether they'd have time for one last game of Yahtzee. And finally let's not forget Early Morning Riser by Katherine Heiny, which I reviewed a couple of weeks back and which is also a novel that celebrates kindness and the everyday.

The Dublin International Literary Award 2021


The prize is announced on Wednesday. I love this one because the nominations come from libraries all around the world. As well as keeping the faith about libraries as relevant and important institutions, I also think you tend to get an interesting selection of books each year. Of this year's list I've only read The Nickel Boys by Colson Whitehead (which I thought was absolutely incredible, and curiously overlooked by the Booker), and Girl, Woman, Other by Bernadine Evaristo, the Booker winner that manages to be both serious literary fiction and a hugely enjoyable riot of a read. Hurricane Season I've heard is amazing but harrowing, everyone seemed to love On Earth We're Briefly Gorgeous and I've heard good things about Lost Children Archive and Apeirogon. I might try to persuade my book club to read the winner, but they're wary because I once made them read a shortlisted title, Prophets of Eternal Fjord, which I thought was a masterpiece but they (and Laura) hated it. Our episode on that one is a particularly entertaining one.

What to Listen To


Just out is our latest Bookshelf episode, in which Laura and I catch up about the books we've been reading outside of book club, the ones we get to pick and choose for ourselves. I loved hearing Laura's take on Matt Haig's bestseller The Midnight Library, a book that gets a lot of love over on Bookstagram. Could Matt Haig win Laura, the ultimate pragmatist, over? Listen in to find out. We also talk about Parisian Lives, biographer Deidre Bair's memoir of her time writing about Samuel Beckett and Simone de Beauvoir, a book I absolutely loved. Laura meanwhile has made a new discovery in Miss Iceland, a novel by Icelandic writer Auður Ava Ólafsdóttir that had her completely enthralled. She wants everyone to seek it out and read it. And finally we catch up with the latest volume in Deborah Levy's living autobiography, Real Estate. As Laura says, through her other books we have become so invested in her life, by this time it's like getting updates from a friend.
 

What Kate is reading:


We're planning a podcast on The Women's Prize shortlist, and I've just started Unsettled Ground by Claire Fuller, which came highly recommended by Gary Wigglesworth on our last-but-one podcast. It's incredibly atmospheric and suffused with dark tension that is a bit of a shock to the system after Leonard and Hungry Paul, but quite a welcome one.
 

What Laura is reading:


An impromptu visit to the local library found me without my library card and my overdue books – but the visit was still a success as a visit to the children’s section led me to spot Graceling by Kristin Cashore on the teen reading display. A classic coming-of-age fantasy, it’s just the palette cleanser between finishing Ahmet Altman’s Like a Sword Wound, set in Ottoman-era Istanbul, and commencing Remains of the Day by Kasuo Ishiguro, Kate’s latest book club book. Our episode on that one is coming soon.
 

Three to try


We're busy working through our toppling TBR piles, but here are three books that snagged our attention this week:
  • Malibu Rising by Taylor Jenkins Read. Likely to be this summer's must-have beach read, it's a tale of melodrama, mystery, ageing rock stars and big shoulder pads, set among the beautiful people of excessive Eighties California.
     
  • The Barbizon: The New York Hotel that Set Women Free by Paulina Bren. Silvia Plath, Grace Kelly, Joan Didion and Eudora Welty were among the famous women who spent time at this iconic New York hotel. A many-layered social history of women's ambition and a rapidly changing New York.
     
  • The Queen of the Tambourine by Jane Gardam. A sharp, poignant and wickedly funny tale of love, heartache and disillusionment. One for anyone who like me and Deborah Levy feels a bit demented by life, sometimes.


 

Thanks so much for subscribing and we hope you've enjoyed these bookish ramblings. Do get in touch at thebookclubreview@gmail.com or via our website. Let us know what you're reading – we always love to hear from you.

Anytime you're in the mood for a books podcast do check out our archive of almost 100 (we're nearly there) episodes from book club discussions to our bookshelf round-ups and interviews with book clubs far and wide and people from inside the book world.

And if you enjoyed the newsletter do forward it on to a book-loving friend. Sign up link is here. Spreading the word is the best possible way to support us and we are so grateful when people do. But for now, until next week, happy reading.

Share Share
Tweet Tweet
Forward Forward
Instagram
Facebook
Twitter
Website
Copyright © 2021 The Book Club Review, All rights reserved.


Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

Email Marketing Powered by Mailchimp